THE BLACK REPRESENTATION IN CUTI´S CONTEMPORARY AFRO-BRAZILIAN POETRY

Authors

  • Simone de Castro Assumpção Roraima State University/UERR , Universidad Estatal de Roraima / UERR , Universidade Estadual de Roraima/UERR
  • Rosidelma Pereira Fraga Federal University of Roraima/UFRR , Universidad Federal de Roraima/UFRR , Universidade Federal de Roraima/UFRR

DOI:

https://doi.org/10.24979/283

Keywords:

Poetry, Black, Identity, Complaint, Fight

Abstract

Afro-Brazilian poetry arises when the Afro-descendants take over the position of subjects of enunciation. In taking possession of the word, the African descendants reveal a "black existence" in their way of seeing and feeling the world, through a black-self-enunciator-who-desires-him/herself-as-a-black and that challenges the values represented by the dominant culture, besides showing the aspects of society not revealed by the canonical writings. In these writings, also called contraliteratura, for promoting the rupture with the writing dictated by whites, the poets do not speak on behalf of themselves. From this perspective, the writer is the spokesperson for his/her ethnicity and therefore affirms his/her status as a black person. At the same time the poets seek an identity to represent themselves in their poetry, being that the search for a black identity is the fundamental characteristic of Afro-Brazilian poetry. Cuti(2011) is among those Afro-Brazilian poets whose poetry will be the object of study in this article, in the sense of understanding how he builds the black identity in his writings. To reach this goal we will identify the elements that the poet uses to construct this identity. Also we will verify the procedures adopted by this writer to affirm the black identity and later we will analyze the resources used by the author to fight the stereotypes attributed to the black by the white.

Downloads

Download data is not yet available.

Author Biography

  • Rosidelma Pereira Fraga, Federal University of Roraima/UFRR, Universidad Federal de Roraima/UFRR, Universidade Federal de Roraima/UFRR

    Realiza estágio de Pós-Doutorado em Cultura Contemporânea, na Universidade Federal do Rio de Janeiro (2015-2016). Doutora e Mestre em Letras e Linguística, na área de ESTUDOS LITERÁRIOS, pela Universidade Federal de Goiás, com apoio do CNPq. Pós-Graduada, em nível de especialização em Língua e Literatura Brasileira (UNEMAT-2005). Graduada em Letras (português e literaturas-UNEMAT-2001). Professora efetiva na área de Teoria Literária e Literaturas de Língua Portuguesa na Universidade Estadual de Roraima. Tem experiência em Teoria Literária, Literaturas de Língua Portuguesa, Literatura comparada (brasileira e africana), Leitura e recepção de poesia moderna e contemporânea, formação do leitor e ensino de literatura. Tem experiência em estágio supervisionado, teoria da literatura, literaturas de LP. Poeta (Autora de "Poiesis em verso e prosa" e "Cantares de Amor". Além dessas experiências, foi professora de teoria musical e órgão eletrônico. Autora do projeto "O contador de histórias e o leitor de poesias" (Iniciação Científica/CNPq) e "Identidade e fronteira: convergência nas canções poéticas e narrativas indígenas de Roraima" (Pós-Doc 2015). 

References

Published

2019-10-01

How to Cite

THE BLACK REPRESENTATION IN CUTI´S CONTEMPORARY AFRO-BRAZILIAN POETRY. Ambiente: Gestão e Desenvolvimento, [S. l.], v. 12, n. 2, p. 35–45, 2019. DOI: 10.24979/283. Disponível em: https://periodicos.uerr.edu.br/index.php/ambiente/article/view/283. Acesso em: 21 feb. 2026.

Similar Articles

1-10 of 27

You may also start an advanced similarity search for this article.

Most read articles by the same author(s)